THE BREAD FROM ONE'S OWN MOUTH



luminous monstrosity

1. 

You push your galaxy into my chest. 
Stars explode in my cavities 
alighting the crevices previously abandoned and then remade. 
Dirt mixes with blood and slowly drips 
out of the tunnels we built when the dark became too much 
to exist in independently. 

I sit in a bathtub filled with lead. 
Two silken dogs look up at me expectantly then turn away 
looking back and I follow.  

Their barking punctuates 
the pressing curtain of night.
They fold into it.

What happens to language when it is spoken on a bed. 
The blank white space. It’s incubation. 
It’s antiseptic and erotics and mundanity. 

2.

A blue hysterical moon 
hangs heavy and low 
as if it were pregnant, as if its child 
landed on earth and as if 
that child were you. 

3.

Whatever is coming 
must first pass through my body. 
I am your white blood cell. 
I am your cold-blooded snake 
curled tight in a thicket of grass, 
shining scales shed 
in order to awaken 
the dead things 
inside of me. 
Slow lightening leaves 
patterns in the sky like signals. 
Decode them. 
Let them take you 
to the dark hollow space 
where our bodies’ rationalities 
can be broken down. 
Remove the form, 
imperfect matter 
remains. 

MY BODY MY SKIN DIAMOND ORE AND THE CAVE

the cave you carved 

a hollow basin beneath the ocean 

a mercurial space crowded by amethysts, pages from your books

still only a flimsy membrane despite the ore with which you built its walls

an architectural decision made on the premise of togetherness and the promise of happiness

in a gilded frame at the bottom of the cave 

my lungs soft and pink with innocence 

you touch them with your tongue and it turns you on

sexual attraction like law

to think anything could absorb the shock of impact better than my body 

more endless and expansive with no knowable limit to its depths 

always available to contain that which slips out or is purposefully poured in

transforming your ugliness into infinitude & importance 

my body my skin diamond ore and the cave 

a violet stain covering the landscape of a critique i once charted 

we never go to tremendous places

the map is lost and we’re deep underwater

while the dogs of the earth kick up dust overhead

like love a violent affair

I climb atop the horse

like it is history and tell it to go left

to the edge of the world’s last river

the horse is golden and looks at me knowingly

as if to say i too am guided

by a celestial nothingness 

we have a long journey ahead of us

to destroy the new science

which conditions our gestures

tying us to a kind of natal fear

our bodies are red with shame

betraying what everyone already knew,

that is, that we are alive and burning 

and that our bodies have the capacity

to be independent and mobile

the possibility scares us desperately

like a question emerging 

from a mouthless figure

prompting us to consider the formation

of new future bodies that might outlive

the bodies that currently exist

progression is what we fear most

which is why we attach ourselves to love

that particular affect slowing down time

someone said that love gives the illusion

of something happening

what if love is the grounded knowledge

that nothing is happening at all

and what if that is what we like the most

the world stopping on its axis

the last birds never leaving the branches

of their favorite trees

the delightedness in feeling

like you have dismantled progress

once and for all

has love ever propelled anything 

besides that which supports the lover’s

dependency on it

as the primary mode of self-organization

or rather the way that we come

to know ourselves

analyzed through the prism

of our beloved’s apparent perspective

finally concretizing ourselves

into beings that actually exist

as the slow-moving train 

carries us farther and farther away

from anything resembling 

the five senses/four seasons

oh beguiled world

want for want scattered across a floor

like shards of glass or teeth

what i want

is for money to never circulate 

through wires or hands or words ever again

to freeze over in the winter 

buried under piles of snow

and when the summer comes again

it will melt away

abolished in the world but always preserved

in living memory 

as that foray into relations 

which we call economics

like love a violent affair

The Empress

Before Death there is Love, and before Love 

there is the Empress. O lady of blood flow, of soft blows: 

in whom the force of creation articulates itself. 

I remember how he took a bottle of wine and poured 

it out in the rain. Pray for us. On the new moon I cut 

an orange in half, put a piece in my mouth, and sucked. 

He comes with wheat and leaves with shoes

 the same dark blue as the veins in my hands. 

O perilous traveler. Wandering pools at the base 

of his spine. In his hands, the clustered feathers 

of a flightless bird. Pray for us. She who waters the grass 

with her breast milk. He appeared to me as if through

dirty glass: without borders. Seeping out of the edges

of the frame. When I wake, I can feel him 

moving in me. Pray for us. 

text me!!!

TEXT ME AT THE GARGANTUAN FLOWER

TEXT ME AT THE MOUTH AT THE END OF THE TUNNEL

TEXT ME AT THE INTESTINAL PASSAGE

TEXT ME AT THE CRYING BABY

TEXT ME AT THE WEEPING 

TEXT ME AT THE WALL

TEXT ME AT THE BROKEN BONE

TEXT ME AT THE BROKEN CANDLE LIT FOR THE DEAD

TEXT ME AT THE LARGE HOLLOW GRAVE

TEXT ME AT THE MISSING 

TEXT ME AT THE DARKEST NIGHT 

TEXT ME AT THE PROMISE YOU CANNOT KEEP

TEXT ME AT THE REVEAL OF TREACHERY

TEXT ME AT AN EMPTY HAND HELD OUT

TEXT ME AT THE FUCKED UP

TEXT ME AT THE UNFUCKABLE

TEXT ME AT THE UNREAD EMAIL

TEXT ME AT THE UNSAID

TEXT ME AT THE UNTHOUGHT

TEXT ME AT THE PROTEST

TEXT ME AT THE VOMITING DESIRE

TEXT ME AT THE SEXT

TEXT ME AT THE LOVE STRIKE

TEXT ME AT THE SURFACE ON WHICH YOU SLIP

TEXT ME AT THE UNINTELLIGIBLE SPECTER OF HISTORY

TEXT ME AT THAT WHICH ALWAYS REVERTS TO VIOLENCE

And what do I know of endings 
But their soft and obscene edges. 
Their remote taunting. 
Peel away my skin and it reads 
Do not leave me. 
I am only a slight breath 
Felt from the farthest distance in the most remote cosmic heaven. 
You are just the muscles that contract when you swim. 
Because that is what is felt. 
That and this vibrating poem.
Can you feel it beneath you. 
We are trapped inside the expectations of history. 
We must know why from God. 
You must ask it. 
A single shining prism will guide you. 
It will lead you to the center of a golden city 
Where you will be destroyed. 
Your gentleness will become the raw material 
For the elixir people will drink 
When they want to be whole. 
This is your fate. 
To love and to die. 
Even to be given over just once is a kindness. 
To have spoken to you 
As I have. 
To speak the words that have asked to be spoken. 
And when 
Our bodies are turned into ecologies 
This will not be a reduction. 
They who remember are like blood. 
My blood says 
Don’t go. 
There is a river 
And when you emerge from it you will fly 
Like I have never flown. 
And the parts of you that were severed will return 
From where they were dropped 
And meant to be forgotten.

And everything that once was will rise. 
And it will be free.

My words, my body, a dull knife on the edge of some table. Like out of a Maya Deren film, but less sinister and more sad. Remind me again of where I should put my arms. Tell me I am a flower. Lie gently and kindly from the depths of your subterranean whatever, graceless and language more wild than even we thought it could be. 

For the Deaths of the Famous and the Cruel

And where do the children of modernity sleep

     When they have finished singing songs stolen from the tombs

Of their own making? They who ignore violence but remain

     Acutely perceptive in matters of superficial duress, 

Anxiety, and showmanship? Whose beauty is marked 

     By a thin and perfect line, which composes the border

Between the knowing and the not-known? 

     Where is the bed of citizenship and pageantry?

And if they cannot sleep, who would go to comfort them but

     The most merciful of mothers, who lay aching in austerity’s

 Iron dust, composed in equal parts illustrious and dangerous?

     Whose bodies form the foundation for every golden city?

And if the children of modernity begin to cry,

     What is that cry but the guilty pact blackmailed

From the beginning, the betraying piecemeal already decayed?

Against Answers

I interviewed filmmaker Jean-Gabriel Périot. We discussed his films, as well as the relationship between “work” and art, being a coward, and the bourgeois position of film-making.

You can view many of his films free on his website: jgperiot.net

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a line of men - pressed shirts - deep parts - softest scalp revealed - at night - the past two months - the warmth of friction - how some fabrics fare better against skin - you didn’t want to leave - screaming about paintings - stop - turn around - enter the room of your dreams - atoms vibrating in your bones - forget yourself - film everything you see - exchange teeth with him - when it sighs - you’re a bloated boat - the middle of nowhere - hovering above him - moving naked through the walls